I had high hopes of Sicilian Wood. Tom Daxon launched his perfume business in March 2013 at the age of 25, and has quickly gained a lot of fans. I’m not surprised, as he looks like a nice chap and he should know his stuff: his mother, Dale Daxon Bowers, was trained as a chemist and worked for Mary Quant cosmetics before becoming creative director of Molton Brown, so you could say that Tom grew up in the fragrance business.
He’s started out with a small range of nine different perfumes, and as you’d hope given his background they’re outstandingly well designed and packaged, with sharp typefaces, smart faceted bottles and attractive boxes cleverly secured with criss-crossing black ribbons.
So far so good. The only trouble is, try as I might I just can’t get to like the perfume inside.
Daxon compares Sicilian Wood with ‘a citrus grove warming in the sun… [with] an effervescent, hyper-real citrus top note [that] settles into a base of seductive woods.’ He’s also described it as ‘a budget-less woody citrus [that] will prove a revelation to anyone left underwhelmed by all the bland versions out there.’
I certainly get the citrus, and the warmth, which emerges from a mix of (among other things) cardamom, guaiac wood, jasmine, cedar and sandalwood. But Sicilian Wood also has to me an unsettling, slightly sickly, somehow faintly chemical smell, which it shares with so many men’s fragrances on the market (especially so-called ‘sports’ scents) that I call it cheapone: the very opposite of ‘budget-less’, in other words.
Whatever it is, it spoils this perfume for me, which is a shame, as I’d really like to like it, not least because it was created by Carla Chabert and her father Jacques, who was once assistant to the perfumer Henri Robert at Chanel, and is said to have had a hand in Chanel’s classic Cristalle. Time to explore some of the other perfumes in the range.