Tom Ford’s relatively short tenure at Yves Saint Laurent, from 2000 to 2004, won him both fans and detractors – among them YSL himself, who used to pen helpful letters criticising Ford’s latest shows. But it was Ford’s own considerable design talents and his genius for publicity dragged the declining fashion house back into the limelight, no more so than with the launch of M7 in 2002.
In a nod to Jeanloup Sieff’s legendary 1971 photograph of a naked Yves Saint Laurent that was used…Continue reading this review →
Christmas is coming, and as a long-standing fan of over-indulgence I’m thoroughly looking forward to getting fat on Christmas pudding with brandy butter, washed down with a large glass of Harvey’s Bristol Cream, ideally in front of a roaring log fire. Alternatively I could just blow my own socks off with a generous splash of Comme des Garçons’ delicious Eau de Parfum a.k.a. Christmas in a bottle.
Launched in 1994, this was the Japanese cult fashion brand’s first foray into perfume…Continue reading this review →
I’ve been trying to like the perfumes of Francis Kurkdjian for some time, but try as I might they let me down. I’d have given up months ago except for the fact that I admire everything about them – their names, their bottles, their packaging, their design – apart from one inconvenient (and for a perfume, rather crucial) thing: the way they actually smell.
I feel particularly bad about this because the guys at Maison Francis Kurkdjian have very kindly given me four of his men’s perfumes: Lumière Noire, Absolue Pour le Matin…Continue reading this review →
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