Tagged With ‘2011’
21 August, 2015
What a great perfume this is. Rich and complex yet totally wearable, Derby smells of old-fashioned luxury and style. It’s the kind of perfume that should have been name-checked in The Great Gatsby (surely the worst-written major novel of the 20th century), and yet it was first launched as recently as 1985, when electropop ruled the airwaves and shoulder-pads the size of aircraft carriers filled the pages of the fashion magazines.
It was created by Jean-Paul Guerlain, the last member of the family to run the brand and a great perfumer in his own right: his other triumphs include Habit Rouge, Chamade and the fantastic Vétiver. Derby smells like crushed aromatic herbs when you first spray it on: rosemary and lavender with a hint of mint, but mixed with more exotic things like patchouli and sandalwood. Mace and pepper add a tiny touch of spice, while oakmoss, leather and vetiver give it extra depth and staying-power. After a while it smells more leathery than anything else, though still with herbs and spices mixed in – the scent of a Greek mountainside in summer.
For a long time Derby was quite hard to track down, which added to its mystique, but in 2005 Guerlain relaunched it as part of its Parisiens collection, at which point is was probably (though of course perfume companies never tell you these things) slightly ‘tweaked’ to change some of its ingredients (such as oakmoss) to comply with EU legislation. In 2011 it was repackaged in what I think is a rather cheap-looking balsawood frame, and its price went up as well: today it’s one of Guerlain’s most expensive fragrances, which I think is a shame, as it deserves to be widely worn.
19 November, 2014
Well-heeled and well-spoken, with a passing resemblance to the young Bruce Chatwin, James Heeley is a Paris-based product designer and perfumer. We’re told that he was born in Yorkshire, studied philosophy in London and then worked as a lawyer, before moving to Paris in the late 1990s, where he changed tack again and began designing vases for star French florist Christian Tortu.
Through Tortu he met Annick Goutal, the legendary pianist turned model turned independent perfumer, which must have been an inspiring introduction to the world of perfume. Heeley describes himself as a self-taught perfumer, and though he commissioned his first few fragrances he now creates the initial olfactory compositions himself.
At £170 for a 50ml bottle of ‘Extrait de parfum’ (which you can buy online from Les Senteurs), L’Amandière is breathtakingly expensive, but at least it has the grace to look like it, coming in a bottle whose surprisingly hefty weight belies its size. Its design is crisp and simple, as you’d hope from a product designer, with a simple black label and a chunky black faceted cap.
Heeley calls his latest fragrance ‘a portrait of spring’, and adds ‘I tried to include many of the scents that my girlfriend loves (including almond) and assemble them to create an imaginary, spring orchard.’ He may have intended it as a woman’s perfume, but what you smell first is light and rather refreshing combination of almond oil and fresh-cut grass – both of which have hints of bitterness (in almond’s case) and sourness (in the case of green grass), which prevents L’Amandière coming across as too floral and girly.
It does have its floral side thanks to the pastel softness of mimosa, but because the almond scent predominates in the end its associations end up reminding one more of food than flowers – though without the cloying sweetness of other food-related fragrances like vanilla or chocolate.
On a woman I think it would smell perfectly pleasant, but on a man it’s much more interesting and unusual, which is why I’m recommending it here. It has surprisingly good staying-power too, which is a good thing given how much each spray has cost you. One for the connoisseur.