This is the first time I’ve reviewed a brand rather than a single perfume, and it may be the last, but there’s a reason for that. The Library of Fragrance describes its products as ‘Simple. Subtle. Singular Scents. Each Day. Everywhere’, and I wouldn’t quibble with any of that, other than the word ‘subtle’, which not all of the fragrances can really claim to be.

There are over 300 scents to choose from in the full range, and most of them are based on a single idea, from Apple Pie to Wet Garden…

If there’s one scent that appeals to pretty much everyone then surely it’s eau-de-cologne, the zesty, refreshing blend of lemon and herbs whose (probably medicinal) origins are lost in the mists of time. Its oldest surviving surviving incarnation is the German No. 4711 Echt Kölnisch Wasser from – where else – Cologne, which you can buy for not very much from pretty much anywhere, but there are hundreds of other versions, from the cheap and nasty all the way up to Chanel’s divine (and divinely expensive) Eau de Cologne…

Féminité du Bois was launched in 1992 for Shiseido, the Japanese beauty company for which Serge Lutens created many striking ad campaigns, and which backed him in the launch, the same year, of his super-chic Salons du Palais Royal. It was in its original incarnation that I first encountered Féminité du Bois, and what first caught my eye was the design of the bottle – a lovely teardrop-shaped glass container, designed by Lutens himself.

Sadly that style of bottle disappeared in 2009…