Like several other major perfume and fashion brands, Hermès has, in  recent years, organised its range of perfumes into a number of different groups. I’m guessing that this is partly to help them refine their message for different segments of the market, but I also wonder whether it has something to do with their in-house perfumer, Jean-Claude Ellena, trying to bring order to a rather disparate collection of scents, in the way that a newly appointed curator might attempt to impose order on a rather muddled art collection…

Though there’s some dispute about its exact origins, the word ‘perfume’ most likely derives from ‘fumes from a substance being burned’, so you could say that Phoenicia, the latest fragrance from Yorkshire-born, Brussels-based perfumer James Heeley goes back to perfume’s roots.

The name refers to the ancient civilisation that flourished in the eastern Mediterranean around 1000BC, but Phoenicia’s smell is instantly evocative of childhood bonfires…

We all have blind spots, and Dior Homme has definitely been one of mine. I was, very kindly, given a bottle some time ago, and I admired its clear glass-and-lucite design, but as for the perfume inside – I just didn’t get it. It was launched in 2005 and had excellent reviews, and it obviously sells well, so I thought I’d better give it another try.

Still no luck, I’m afraid. It’s not horrible (which is a rarer attribute than you might expect), but neither does it make me go ‘WOW!’…