I’ve always loved eau de cologne. There’s nothing like the exhilarating zing of citrus to start your day, especially in sultry weather. The classic cologne such as 4711 Kölnisch Wasser, with its mix of citrus fruits, lavender, rosemary and neroli oil, is a well-nigh perfect formulation, but over the years many perfumers have tried their hand at adding their own individual twist, with greater or lesser success…Continue reading this review →
I’ve known about Caron’s Pour un Homme for many years – it’s often been hailed as one of the classics of men’s perfumery, and a couple of friends used to enthuse about it – but on the odd occasions when I’d tried it I couldn’t really see what there was to get so excited about. Despite its heritage it came in a cheap-looking bottle, and the testers I smelled did nothing much for me; to be honest I thought it was a bit dull.
But then I got a new bottle, and either Richard Fraysse, Caron’s in-house perfumer…Continue reading this review →
Calling a perfume ‘black ink’ has intriguing connotations. ‘Black’ or ‘Noir(e)’ has been the perfume industry’s shorthand for ‘edgy’ ever since the 1998 launch of the striking but hard-to-wear Bulgari Black, thus Ambre Noir, 1881 Black, Armani Privé Cuir Noir, Bois Noir, Coco Noir, Cologne Noir, Dahlia Noir, Datura Noir, Eau Noir, Fourreau Noir, even (I kid you not) Hello Kitty Noir.
So Encre Noire (which was launched in 2006) bounces along on the back of a bit of…Continue reading this review →
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