Like several other major perfume and fashion brands, Hermès has, in  recent years, organised its range of perfumes into a number of different groups. I’m guessing that this is partly to help them refine their message for different segments of the market, but I also wonder whether it has something to do with their in-house perfumer, Jean-Claude Ellena, trying to bring order to a rather disparate collection of scents, in the way that a newly appointed curator might attempt to impose order on a rather muddled art collection…

I don’t often, to be honest, feel very hippyish, but on the odd occasions when I do then Givenchy Gentleman suits my mood very well, with its distinct patchouli smell.

The original version was released in 1974 to tie in with couturier Hubert de Givenchy’s first ready-to-wear boutique, and it must have seemed right on trend back then. Created by Paul Lèger (who also had a hand in the big-selling women’s perfume, Anaïs Anaïs), it was quickly hailed as a masterpiece…

The latest addition to the Hermessences range, created by in-house perfumer Jean-Louis Ellena for Hermès and launched in 2014, Cuir d’Ange is, as its name suggests, a rather ethereal take on the smell of new leather – appropriately enough for a company that started out making riding tackle.

Inspired by a phrase in Jean le Bleu, a 1932 novel by Jean Giono – a kind of French Thomas Hardy – Ellena explains that, for…