I’ve been trying to like the perfumes of Francis Kurkdjian for some time, but try as I might they let me down. I’d have given up months ago except for the fact that I admire everything about them – their names, their bottles, their packaging, their design – apart from one inconvenient (and for a perfume, rather crucial) thing: the way they actually smell.
I feel particularly bad about this because the guys at Maison Francis Kurkdjian have very kindly given me four of his men’s perfumes: Lumière Noire, Absolue Pour le Matin…Continue reading this review →
The first thing I think when I smell Egoïste is ‘spicy!’ It’s a big, bold, in-your-face fragrance, well-suited to its name, which doesn’t suit everyone – in fact I’ve never thought it really suited me. But if you have the confidence to carry it off it’s a superb perfume of its kind.
Egoïste was created by Chanel’s long-standing in-house perfumer, Jacques Polge, and released in 1990 with the kind of blitzkrieg advertising that Chanel does so well. Possibly too well, since I suspect that fewer people remember…Continue reading this review →
Féminité du Bois was launched in 1992 for Shiseido, the Japanese beauty company for which Serge Lutens created many striking ad campaigns, and which backed him in the launch, the same year, of his super-chic Salons du Palais Royal. It was in its original incarnation that I first encountered Féminité du Bois, and what first caught my eye was the design of the bottle – a lovely teardrop-shaped glass container, designed by Lutens himself.
Sadly that style of bottle disappeared in 2009…Continue reading this review →
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